@ Woolf was one of the great innovators in literature. Relatively late in life she found a voice of her own and went on to produce a peculiarly English - and feminist - version of modernism, tailoring to her own personal concerns the new ways of seeing that were sweeping Europe # Woolf's Mrs Dalloway (1925) is her most experimental novel. It uses minutely detailed descriptions of street life to transmute the past experience of two former lovers, and various minor characters, into the web of the present # To the Lighthouse gathers together the flitting perceptions of a party of people holidaying on the Scottish coast. Male-female relationships are central to the book, and the lighthouse which towers over all the characters has been interpreted as a phallic symbol, a result of Woolf's study of Freud # The Waves used the "stream of consciousness" technique pioneered by James Joyce to reveal in turn the experience of six characters. As in all Woolf's novels, there is almost no plot. She is concerned with 'sensibility', the shapes and images which the world leaves like shadows or like footprints on the mind # Woolf has become a feminist icon, and her thoughts on the position of women in society are incisive and entertaining. In A Room of One's Own (1929), she examines the situation of the woman writer, and asserts that, because women are absent from historical accounts, our knowledge of the past is "lop sided" # For most of her characters, as for Woolf herself, the world is formless, fluid: they are all trying to catch some meaning. The modernism of her work is no mere literary experiment. It is a reflection of Woolf's perceptions, a real attempt to say more than could be said by conventional methods # Woolf's first breakdown was in 1906, and they came regularly thereafter. In 1941, depressed about the war and fearing the onset of another bout of mental illness, Woolf forced a large stone into her pocket and drowned herself in the River Ouse, near her cottage @